Yamandú Canosa

  • Terraforming (después de H-406, 1992), 2012
    Watercolor on paper
    57 x 76,5 cm

  • H, 2013
    Gouache, oil, and charcoal on paper
    50,9 x 35 cm

  • Eco dos, 2013
    Gouache and collage on paper
    42 x 29,7 cm

  • Canción H, 2018
    Gouache on paper
    42 x 29,7 cm

  • Europa, 2013
    Gouache and oil on paper
    29,7 x 42 cm

  • Inestable Eu, 2019
    Oil on canvas
    210 x 130 cm

  • En la cueva, 2016
    Oil on paper
    21 x 29,7 cm

  • ARRC, 2018
    Gouache on paperboard
    42 x 29,7 cm

  • Dos casas, 2019
    Gouache and transfer on paper
    51 x 36 cm

  • Pareja, 2016
    Gouache and oil on paper
    29,7 x 42 cm

  • Cima, 2016
    Gouache and transfer on paper
    85,5 x 61 cm

  • Gran inestable, 2019
    Oil on canvas
    210 x 152 cm

  • Deriva, 2016
    Pencil on paperboard
    90,5 x 120,5 cm

  • Canto, 2013.
    Óleo y transferencia sobre papel. 29,7 x 42 cm

  • Iceberg, 2014,
    Óleo sobre papel.
    63,5 x 99,5 cm

  • Vostok, 2013.
    Óleo sobre papel. 50,9 x 36 cm

  • Herida después, 2014.
    Óleo y transferencia sobre papel.
    29,7 x 21 cm

  • La espera, 2013.
    Gouache y transferencia sobre papel. 36 x 50,9 cm

  • Oye, 2013.
    Óleo y transferencia sobre papel.
    36 x 50,9 cm

  • Horizonte herido II, 2012
    Oil on paper
    51 x 73 cm

  • Iceberg, 1999
    Charcoal on paper
    65 x 96 cm

  • La ola, 2012
    Digital photograph, giclee impression
    29 x 43 cm

  • Olvido, 2008
    Pencil and gouache on paper
    61 x 86 cm

  • Poniente, 2012
    Oil on paper
    30 x 42 cm

  • Sol de noche, 2007
    Gouache on paper
    30 x 42 cm

  • Solo, 2008
    Gouache on paper
    30 x 42 cm

  • Yamandú Canosa
    Viento sur V, 2012
    Oil on paper
    30 x 42 cm

  • Yamandú Canosa
    Viento sur IV, 2012
    Oil on paper
    30 x 42 cm

  • Yamandú Canosa
    Viento sur III, 2012
    Oil on paper
    30 x 42 cm

Canosa uses various techniques to explore the limits of language. His interest in the notions of cultural identity, memory, human relations and immigration marks his subjective point of view. His artworks create a new experience of the landscape. The plans are mixed to impose constant visual readjustments between verticality and horizontality, between second and third dimension. This optical force is extended in the installation of the paintings within the space, thus creating new compositions. The representation of the horizon and the geographical limits puts together a map of human relations that suggests a subjective dimension of the identity and challenges the concept of nation state.

Exhibitions