Yvan Salomone – quand même

Yvan Salomone

quand même

07.03.26 18.04.26

Xippas Paris Upcoming
1138_0223 _petitefemme

Opening Saturday March 7, 2026 from 3 to 8 pm

Xippas Gallery is pleased to present a solo exhibition by French artist Yvan Salomone, bringing together a selection of recent works. Mastering the watercolor technique with great precision, the artist transforms peri-urban sites into shifting landscapes of constant format. Presented in a rigorous hanging, the works create a space for reflection, inviting the viewer’s gaze to wander.

 

“A man moves by bicycle, by car, on foot. He roams through ports, outskirts, dunes, holiday residences, industrial zones. Sometimes he stops. A wall, a platform, a shed, a façade, or an isolated tree holds his attention. He experiences, delineates, traverses, and distills reality. A water tower cutting through the landscape like an aluminum vertebra, a faded toy-truck made monumental, a glass curtain invaded by a plant, two houses under construction becoming messengers of an intimate echo, a surface crushed by the autumn sun, dark despite its brilliance. These are simple objects, visible to all. Yet this ordinariness cracks, turns into a threshold, an enigma, a tipping point. It asserts itself. Before these blocks, ancient images rise up: battles, a flood, a tomb, a prayer, a hunting myth. The present scene changes status. Under the gaze it becomes a retention, a late variant of peripheral images. What is seen is caught in a chain. The watercolor work begins there. The format is always the same. The surface opens, yet remains measured. Certain areas are left bare. Rectangles, planes, paper reserves. Color advances patiently in successive layers. The chaos of the motif is held back, allowing another to appear, simpler, more legible. Light comes from what has been spared. The ‘I’ circulates: a child in a distant colony, a grandson in a kitchen, a reader of a book, an adult at the edge of a roundabout, a port, a beach, a parking lot. Memories of films and music cling to objects. At times, humor surfaces. Elsewhere, unease: flood, darkened horizon. Nothing is resolved. Objects remain partly mute. Images incomplete. Painting does not close the enigma. It merely organizes a space where reality, memory, light, and darkness meet, without conclusion.”
Y.S.

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