The familiar figures and spaces and the accessible outdoors are retained as a realistic backdrop for the narrative. Inside, however, the eye of the camera acts as an observer of the invisible: it retrieves latent possibilities, as if they were past/future events inscribed in the spaces and the people. The photographic technique contributes to this distortion of reality, exactly because it reproduces it with precision: the obsessive attention to detail, the strong colours and the clear outlines are necessary prerequisites for the imaginary to show through. His photographs evoke the human condition in all its fragility and uncertainty. The allure of these images gives way to a visceral confusion that perturbs the spectator and raises questions regarding the existentialist conflict of mankind, without offering any answers. In these works, the landscapes act as metaphors for interior worlds.
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