Peter HALLEY

Bibliography (Selection)

2008

Gianni Mercurio, "The Big Bang", Museo Carlo Bilotti, pp. 72-83, Rome.

“Contemporary Art", The Columbia Encyclopedia, Sixth Edition, Columbia University Press, New York.

William Paton, “Peter Halley/ Dream Game", The New, Christies, Mason & Woods, Ltd., London.

Wayne Koestenbaum and Luca M. Yenturi, Peter Halley, BSI Art Collection, Turino.

Giancarlo Politi,  “Peter Halley At the End of History,” interview, Flash Art, July - September, pp. 164-167, Milan.

Peter Vogel, “Peter Halley, An Artist and His City”, Parnass Kunst Magazine, pp. 78-85, Wien.

2007

Peter Halley, Waddington Galleries, London.

Renate Wiehager and Claudia Seidel, Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, Ostfildern: Hatje Cantz Verlag.

Masterpieces, CAPC Musée d'Art contemporain de Bordeaux, p. 144-145, Bordeaux

Create Your Own Museum, Gary Tatintsian Gallery, Moscow, pp. 91-94.

Glen Lowry, MoMA Highlights since 1980, The Museum of Modern Art, p. 152, New York.

2006

Emmanuel Mavrommatis, Peter Halley paintings 1995 - 2005, Galerie Xippas, Paris.

Mark A. Cheetham, Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s, New York: Cambridge University Press

Idées de la Peinture: Hommage à Martin Barré, pp. 32-33, Galerie Nathalie Obadia, Paris.

Pop Art 1960s-2000s: From Lichtenstein, Warhol to the Current Generation, Seiji: Yomiuri Shimbum, Japan Association of Art Museums.

2005

Alexandra Koroxenidis, "Painting is not only an image", Tehnes Grammata in Kathimerini, Sunday April 17, p. 2.

Avgoustinos Zenakos, "My works are diagrams", to alo Vima in Vima, Sunday April 10, p. 38.

Lacayo, Richard, “How Does 80’s Art Look Now?” Time Magazine, March 28^th, New York.

Armaos, Georges, "Geometric Art: the uniformed and the know-it-alls. An exhibition by Peter Halley", highlights, March-April, pp. 68-70.

Fontava, Rosario, “Peter Halley expone siete cuadros en dos galerias de Barcelona,interview, March 16, Barcelona.

Cuesta, Elena, “Peter Halley trae a Barcelona su reflexion sobre la comunicacion entre los individuos,” interview, El Mundo, March 16^th, p. 58, Barcelona.

Spiegel, Olga, “La pintura geometric puede reflejar la sociedad de hoy,” interview, La Vanguardia, March 16^th, p. 44, Barcelona.

Glimcher, Marc, “Logical Conclusion: 40 Years of Rule-Based Art,” catalogue, p. 113, Pace Wildenstein, New York.

Van Der Heeg, Erik, “We Can Do It,” catalogue, pp. 10-13, 26-29, Gary Tatintsian Gallery, Inc., Moscow.

2004

Dan Cameron, Liza Kirwin, Alan W. Moore, “East Village USA,” catalogue, p. 143, New Museum of Contemporary Art, New York.

Redding, Mary Anne, “Visions of America: American Art and Identity (Amerikanische Kunst und Identitat),” catalogue, p. 144, 255, Sammlung Essl, Vienna.

Debailleux, Henri-Francois, “Weekend Rencontre: Je suis une sorte de réaliste dans une société abstraite,” interview, Liberatión, July 17^th, pp. 42-43, Paris.

Spector, Nancy and Lisa Dennison “Singular forms (Sometimes Repeated): Art from 1951 to the Present,” catalogue, The Guggenheim Museum, March 5–May 19, New York.

Glueck, Grace, “With Artists Among Alumni, a School Can Be a Collector,” New York Times, Arts & Leisure, July 16, p. 38, New York.

Rimanelli, David, “High Art,” House and Garden, June, pp. 104-109, New York.

Troncy, Eric, “Cométe des Eighties,” Numéro, March, pp. 318-321, Paris.

2003

“80’s Then : talks with Dan Cameron”, Artforum, March, p. 212.

Hoberman, Phoebe, “The Artful Dealer”, New York Magazine, May 26.

Esquire, March, p. 192.

ESKY Art, Ryuko Tsushin, March, p. 139.

Battistini, Matilde : “Lá Dove il Rosso é George W. Bush”, Diario, March 14, pp. 58-61.

2002 Grossman, Liz : “Social Study”, CS Magazine, May, pp. 69-70.

Carier, David : “Peter Halley”, Tema Celeste, September, p. 92, Milan.

Oliveras, Jaume Vidal : “En el Labertino de Peter Halley”, El Cultural, September, p. 32, Madrid.

Godfrey, Tony : “At Waddington”, The Burlington Magazine, January, p.48, London.

Cash, Stephanie and Ebony, David : “Artworld”, Art in America, June, p. 144, London.

Jacovini, Joanna : “Bright Lights, Bold Fashion”, Interview, December, p. 6, New York.

Smith, Roberta, review, New York Times, May 10, New York.

Rosenblum, Robert : “Best of 2002”, Artforum, December, pp. 128-129, New York.

Boyce, Roger : “Lock-Ups and Aftershocks”, Art in America, November, pp. 128-129, New York.

Silva, Melinda Rose : “Peter Halley’s Mini Adventure”, Contemporary, September, pp. 60-61, London.

Smith, Roberta : “A Profusion of Painting, Very Much Alive”, New York Times Weekend Section, May 10, pp. E 33, E 43, New York.

Colman, David : “ When Inside Out Equals Outside In”, New York Times Style Section, May 5, section 9, p. 9, New York.

2001 Moreno, Gean : “Mythic Proportions”, Flash Art, May/June, p. 146-147, Milan.

Gayford, Martin : “Peter Halley on Picasso’s Still Life on a Pedestal Table”, The Daily Telegraph, November 3, p. A10, London.

Weg Vander, Kara : “What is Pop Art ?”, GQ, September, p. 360, New York.

Casadio, di Mariuccia : “Superfluo”, Vogue Italia, June, Italy.

Wallach Amei : “Reassessing an Era When Excess Was the Norm”, New York Times, Arts & Leisure, April 29, p. 38, New York.

Chiodi, Stefano and Lacagnina, Salvatore, Teme Celeste, January/February, p. 105, Milan.

Nagasawa, Akio, Esquire Japan, January, vol. 15, n° 1, Tokyo.

2000

Casadio, Mariuccia, “Into Gold”, Casa Vogue, April, p. 172, Italy.

Mauk, Laura : “Horses Mouth,” Bookforum, Summer, p. 9, New York.

Spada, Sabina : “Le Monadi di Halley”, Arte, December, pp. 120-124, Milan.

Affaticati, Andrea : “Edizioni di Lusso”, Vogue Italia, December, p. 78, Italy.

Harris, Jane : “Peter Halley : Maintain Speed”, book review, Bookforum, Automn, p. 19, New York.

Schwabsky, Barry : “Speed Reading”, book review, I.D. Magazine, June, p. 36, New York.

“Libri e Cataloghi”, book review, Tema Celeste, March/April, p. 126, Milan.

Princenthal, Nancy : “Artist’s Book Beat”, book review ,Art On Paper, July/August, pp. 70-71, New York.

Kaws, Brian : “Horse’s Mouth”, book review, Bookforum, Summer, p. 29, New York.

Jimenez, Jose : “Geometria y Critica Social”, El Mundo, February 12, p. 60, Madrid.

Carpio, F. : “Vil Geometria”, La Razon - El Caballo Verde, February 25, Madrid.

Murria, Alicia : “Peter Halley”, Lapiz, n° 161, p. 81, Madrid.

Navarro, Mariano : “Peter Halley”, El Mundo, February 27, Madrid.

Seafree, J. : “Peter Halley”, La Brocha, March, Madrid.

Nemeczek, Alfred, Das Bild der Kunst, pp. 49, 62, Hamburg.

1999

Coles, Alex : art/text, n° 67, p. 82, Los Angeles.

"Interview with Peter Halley", Art magazine, November, p. 97, Seoul.

Yoon, Tai-gun, review, ARTWORLD, November, p. 181, Seoul.

"Exhibition Highlight", Wolgan Misool, November, p. 156, Seoul.

Sullivan, John : "Peter Halley Exhibit Delivers Message of Caution Modern Development", The Korea Herald, Wednesday, November 3 Seoul.

Birnbaum, Daniel : "Peter Halley : Grant Selwyn Fine Art, New York", Artforum, September, p. 163, New York.

Paparoni, Demetrio : "Peter Halley : Waddington Galleries, Londra ; Grant Selwyn Fine Art, New York", Tema Celeste, August/September, pp. 75-76, Milan.

Collings, Matthew : “Higher Beings Command : Peter Halley”, Modern Painters, p. 63, Summer, London.

MacAdam, Alfred : “Peter Halley : Grant Selwyn Fine Art”, rtnews, p. 153, Summer, New York.

Smolik, Noemi : “Peter Halley : Das Werk als eine Superstruktur”, Kunstforum International, n°145, pp. 305-311, May/June, Cologne.

Kent, Sarah : "Waddington's", Time Out, May 19-26, London.

"Halley's Comment", The Guardian, April 24-30, London.

Ermen, Reinhard : “Peter Halley”, Kunstforum International, March/April, n° 144, pp. 353-354, Cologne.

Imdahl, Georg : “Revolte im Gefängnis der Geometrie”, Frankfurter Allgemeine, January 4, Frankfurt.

1998

Collings, Matthew : “Life of Riley : Peter Halley”, It Hurts: New York Art from Warhol to Now, 21 Publishing, London.

“Peter Halley”, Noëma, octobre-novembre, n° 49, Vienna.

Behrens, Katja : “Geometrie-Paranoia”, Marabo, December, Essen.

“Digital fields”, Kunst Aktuell, December/January.

“Vieldeutige Farbfelder”, Der Spiegel, December, Hamburg.

Nebelung, Sigrid : “Im Netz der Leitungen und Kabel”, Art Das Kunstmagazin, December, Hamburg.

Hoffmans, Christiane : “Die Welt ist Geometrie”, Welt am Sonntag, November 22, Germany.

Krause, Manfred : “Das Labyrinth der Technik : Halleys ‘Neo-Geo’ in Essen,” Westdeutsche Allgemeine, November 27, Essen.

Schenk-Güllich : “Starke Farben auf Bildern und Wänden : Peter Halley im Museum Folkwang”, Neue Ruhr Zeitung, November 23.

Princenthal, Nancy : “Peter Halley at the Museum of Modern Art”, Art in America, May, p. 121, New York.

Matsui, Midori : “Getting Out of the Cell : Peter Halley’s Thinking Geometry,” Bijutsu Techo, May, vol. 50, n° 75, pp. 97-108, Tokyo.

“Peter Halley al MoMA”, Tema Celeste, n° 66, March, Milan.

1997

Rosenblum, Robert : “Top Ten”, Artforum, December, New York.

Kayabal, Asli : “Halley Geilyor”, YeniYuzyil, 2 Kasim, Istanbul.

“Peter Halley Turidye’ye Gallyer”, Cumhuriyet, Thursday, October 30, Istanbul.

Smith, Roberta : “Museums”, The New York Times, Weekend Section, November 14, New York.

Shaviro, Steven : “New Concepts in Printmaking I : Peter Halley”, On Paper, November/December, New York.

Smith, Roberta : “Peter Halley, New Concepts in Printmaking I”, The New York Times, October 24, New York.

Levin, Kim : “Jailbreak”, The Village Voice, October 14, vol. XLII, n° 41, New York.

Newhall, Edith : “On View, The Halley Files”, New York Magazine, September 29, New York.

Ozdogru, Nuvit : “Ronesans Oncesinden Neo-GeoYa Sanat Zinciri”, Milliyet Sanat, 1 Nisan, Istanbul.

Caramel, Luciano : “Halley L’Anti-Idealista”, Quadri & Sculture, February/March, n° 24, Rome.

Sarje, Kimmo : “New York Neurosis”, Siksi, vol. XII, n° 1, Spring, Helsinki. Spada, Sabina : “Peter Halley”, Tema Celeste, Spring, Milan.

Panzera, Mauro : “Peter Halley”, Flash Art, édition italienne, March/April, Milan.

Bini, Ida : “La Cometa Neo-geo di Halley Transita in Italia”, Arte Mercato, February, Milan.

Lorenzi, Fausto : “La Fredda Cometa di Peter Halley”, Giornale di Brescia, February 12, Brescia.

Fiz, Alberto : “Roma e Brescia, I Percorsi Invisibili di Peter Halley”, Madame, February, Milan.

Fiz, Alberto : “Halley, il Neoastratto”, ItaliaOggi, February 22, Milan.

Allan, Janet : “New Magazine with a Touch of Andy Warhol,” New York Times, July 20, vol. CLI, n° 52,068, New York.

1996

“Halley, los 16, Miguel Moreno, Marqués...”, El Punto, December 20, Madrid.

Navarro, Mariano : “Imagenes de Peter Halley”, ABC de las Artes, December 13, Madrid.

Mazorra, Javier : “La Obra de Peter Halley Inaugura una Nueva Sala en Madrid”, El Mundo, December 12, Madrid.

Nespolo, Ugo : “Sotto i Raggi X di Peter Halley”, La Stampa, August 26, Turin.

Schjeldahl, Peter : “Balling”, The Village Voice, July 30, New York.

Pagel, David : “A Union of Pop, Minimalism That’s Over the Top”, The Los Angeles Times, May 15, Los Angeles.

Sack, Warren : “Painting Theory Machines”, Art and Design, n° 48.

Protzman, Ferdinand : “Everyday Abstractions”, The Washington Post, March 9, p. H2, Washington, DC.

Smith, Roberta : “Art in Review : Screen, Friedrich Petzel Gallery”, The New York Times, February 2, p. C26, New York.

1995

Stapen, Nancy : “Peter Halley’s Feel-Bad Art for an Oppressive Culture”, The Boston Globe, December 7, p. 72, Boston.

Riminelli, David : “Reviews - Peter Halley at Sidney Janis Gallery”, The New Yorker, December 4, p. 20, New York.

Rian, Jeff : “Peter Halley Makes a Move”, Flash Art, October, pp. 89-92,128, Milan.

Artner, Alan : “Art, Clarity and Color Charge HalleyDrawings”, Chicago Tribune, August 25, p. 52, Chicago.

Karmel, Pepe : “Art in Review, Peter Halley at Pace Wildenstein and TZArt”, New York Times, October 6, p. C32, New York.

Karmel, Pepe : “Art in Review, Peter Halley & Ettore Sottsass at Jay Gorney Modern Art”, New York Times, July 21, p. C23, New York.

Nuridsany, Michel : “Halley : des Plans sur la Comète”, Le Figaro, May 16, Paris.

Dagen, Philippe : “Galerie Thaddaeus Ropac”, Le Monde, May 14-15, p. 19, Paris.

Isola, Marina : “Close Encounters”, The Met, March 2-9, Dallas.

Isola, Marina : “Paintings 1980-1981”, The Met, March 2-9, Dallas.

Cortes Cantillo, Lucia : “Representantes de la Abstraccion”, La Republica, January 19, p. 5, San Jose, Costa Rica.

Dobles, Aurelia : “Cuatro Infinitudes”, La Nacion, January 18, p. 10, San Jose, Costa Rica.

1994

Rosenthal, Mark : “Critiques of Pure Abstraction”, Atelier Magazine, September, pp. 68-69, Japan (cover page).

Giobbi, Cesar : “Persona”, Caderno2, Quarta-Feira, September 14, p. D6, Sao Paulo, Brésil.

Drolet, Owen : “Peter Halley / Grand Salon”, Flash Art International, October, vol. XXVII, p. 95, Milan.

Slonim, Jeffrey : “Sister Acts”, Artforum, March, p. 8, New York.

1993

Römer, Stefan : “Peter Halley”, Kunstforum, p. 351, vol. 123, Cologne.

Ziegler, Laurie : “The Ties that Bind”, New Art Examiner, Summer, pp. 12-17, Chicago (couverture).

Corris, Michael et Robert, Nickas : “Punishment and Decoration, Art in the Age of Militant Superficiality”, Artforum, April, p. 81, New York.

Warren, Charles : “Seize the Apparatus”, Tema Celeste, Spring, n° 40, pp. 45-49, Milan (couverture).

Saunders, Wade : “Making Art Making”, Art in America, January, n° 1, pp. 78-79, New York.

Schwarz, Arturo : “Una Mostra Da Non Perdere”, Segno, n° 126, pp. 39-40, Pescara.

Myers, Terry R. : “Peter Halley”, Art Issues, Januray/February, n° 26, p. 38, Los Angeles.

1992

Siegel, Jeanne : “Peter Halley”, Tema Celeste, Automn, n° 37-38, p. 87, Milan.

Zaya, Octavio : “Los Artistas de los Anos 80 Eran Pretenciosos”, Cultura Espectaculos, June 24.

Figueres, Abel : “Entre el Geometric i el Social,” Avui Art, July 22, p. 28, Barcelona.

Badia, Montse : “Peter Halley”, Avui Art, July 8, p. 24, Barcelona.

Steenbergen, Renee : “Biografie in Fluorescerend Gekleurde Vierkanten”, Kunst, September 30, p. 10, Amsterdam.

Klaster, Jan Bart : “Overvolle Bak in Het Stedelijk”, Het Parad Kunst, October 16, p. 6, Amsterdam.

Constable, Lesley : “Wexner Center Show Throws More Crumbs”, The Columbus Dispatch, Visual Arts, Sunday, July 19, p. 8H, Columbus.

Montolio, Celia : “Geometrias Escondidas”, Revista Internacional de Arte Lapiz, ano X, n° 88, pp. 32-43, Verano.

Bourdon, David : “Seeing It All, or Six Weeks in Manhattan Galleries”, Art in America, September, n° 9, pp. 51-61, New York.

Fleck, Robert : “Peter Halley, Broad Conduit Boogie-Woogie”, Flash Art, Summer, vol. 25, n° 165, p. 109, Milan.

Badia, Montse : “Peter Halley”, Avui, July 8, p. 24, Barcelona.

Jimènez, Pablo : “Peter Halley, un neo-geo en Madrid”, A.B.C., June, p. 33, Madrid.

Martialay, Julieta : “Los Más Representativos Autores del Pop-Art Exponen en el Reina Sofía”, El Observador, June, Madrid.

Fernandez, Horacio : “Continuidad de la Geometría”, Diario16, June, Madrid.

“Halley, un Geométrico Secularizado”, El Pais, June 29, p. 30, Madrid.

Danvila, Jose Ramon : “Peter Halley. Recuerdos y Razón de la Pintura”, El Punto, June 26, p. 6, Madrid.

Fernandez, Horacio : “Continuidad de la Geometría”, El Mundo, June 26, p. 78, Madrid.

“El Arte Pop y Peter Halley en el Centro Reina Sofia”, Lanza, June 23, p. 7, Madrid.

“Centro Reina Sofia Acoge la Primera Posición Europea de Peter Halley”, Diario Vasco, June 23, p. 67.

De Bustos, Clara Isabel : “El Reina Sofía Abre sus Puertas a la Fascinación Consumista del Arte Pop”, A.B.C., June 23, p. 67, Madrid.

“El Reina Sofía Expone Todo el Movimiento Pop”, El Pais, June 23, p. 30, Madrid.

Mediavilla, Manuel : “El Reina Sofia Inaugura Muestras de Arte Pop y de Peter Halley”, El Diario Vasco, June 22, p. 68, Madrid.

Mediavilla, Manuel : “El Reina Sofía Abre dos Muestras Dedicadas al Pop Art y Peter Halley”, El Correo Espagnol, 21 juin, p. 30, 65, Madrid.

Kramer, Hilton : “A Neo-Geo Mumbo-Jumbo Guides Halleys Comet”, The New York Observer, June 15, vol. 6, n° 23, New York.

Kimmelman, Michael, “Peter Halley,” New York Times, June 5, New York.

Millet, Catherine : “La Crise de la Geometrie et Autres Essais, 1981-1987”, book review, Art Press, June, p. 63, Paris.

Vogel, Carol : “Movable Show”, New York Times, May 22, p. C22, New York.

Bartels, Daghild : “Peter Halley, Fondation Edelman, Pully”, Artis, May, p. 57, Switzerland.

G. M. : “Sombre Constat Fluo”, TV Nouvelliste, May 8, p. 5, France.

D. M. : “Le Vertige et les Pièges de la Maîtrise”, L’Hebdo, 17-23 avril, p. 93, Paris.

Dagen, Philippe : “Cruautés Optiques”, Le Monde, April 1, p. 19, Paris.

Kunz, Nicole : “Dans les Allées de Halley,” Journal de Genève, April 7, p. 38, Geneva.

Debraine, Luc, “Les Couleurs Fluo de Peter Halley Dressent un Sombre Constant”, Le Nouveau Quotidien, April 14, p. 23, Paris.

1991

Nyffenegger, Francoise : “Peter Halley au Musée d’Art Contemporain de Pully”, La Tribune de Genève, April 4-5, Geneva.

“Le Capc de Bordeaux,” Arts Graphiques, February/March/April, France.

Kerner, Anne : “Géo-Comète”, Museart, February, Paris.

“Trait d’Esprit”, Gaipied, January 9, Paris.

“Bordeaux : La Comète de Halley”, Parcours Air International, January, Paris.

“Pas Seulement Abstrait”, Connaissance des Arts, January, Paris.

“Peter Halley”, En Ville, December/January, Switerland.

“Le Jeu de la Société”, Objectif Aquitaine, December/January, France.

Tamaka, Hiroko : “Art is Beautiful : Interviews with New York”, Kawade Shobo Shinsha, pp. 165-168, Tokyo.

Jones, Bill : “American Artists of the 80s”, Tema Celeste, January/February, n° 29, p. 84, Milan.

Jones, Bill : “Peter Halley, Robert Raushenberg, Mel Bochner”, Tema Celeste, March/April, n° 30, p. 85, Milan.

Kimmelman, Michael : “ At the Whitney, a Biennial That’s Eager to Please”, The New York Times, April 19, pp. C1, C24, New York.

Schjeldahl, Peter : “Cutting Edge”, The Village Voice, April 30, pp. 93-94, New York.

Lotringer, Sylvere : “Third Wave : Art and the Commodification of Theory”, Flash Art, May/June, pp. 89-93, Milan.

Hillman, James : “The Repression of Beauty”, Tema Celeste, May/June, n° 31, pp. 58-64, Milan.

Johnson, Ken : “Report for New York : Generation Saga”, Art in America, June, vol. 79, n° 6, pp. 45-51, New York.

Mc Evilley, Thomas : “Two Big Shows : Post-Modernism and Its Discontents”, Artforum, Summer, vol. 29, n° 10, pp. 98-101, New York.

Gardner, Paul : “What Artists Like About the Art They Like When They Don’t Know Why”, Artnews, October, vol. 90, n° 8, pp. 116-121, New York.

D’Amato, Brian : “Peter Halley”, Flash Art, October, vol. 24, n° 160, p. 143, Milan.

Smith, Roberta : “Art and Power, Or, the Fist that Grips the Brush”, The New York Times, October 24, pp. C17, C21, New York.

“Peter Halley”, Bordeaux Gironde, October/December, Bordeaux.

Mannheimer, Steven : “Power Play”, The New Art Examiner, November, vol. 19, n° 3, pp.16-19, Chicago.

“Peter Halley au Capc de Bordeaux”, Panorama de Medecin, December 12, Paris.

“L’Univers de Halley”, Le Courrier Français, December 13, Bordeaux.

Bouzerand, Jacques : “Plein Cadre : Peter Halley”, Le Point, December 12, Paris.

Godfrey, Dominique : “Peter Halley au Capc : Un Jeune Loup Géométrique”, Sud Ouest, December 22, Bordeaux.

Sans, Jérôme : “Peter Halley”, Beaux Arts, décembre, pp. 107-109, Paris.

“L’Environment Quotidien et l’Art, Les Géométries de Peter Halley”, Bordeaux, décembre, Bordeaux.

“Peter Halley”, A Suivre, December, France.

1990

Heartney, Eleanor : “Peter Halley : Sonnabend”, Artnews, February, vol. 89, n° 2, p. 155, New York.

Decter, Joshua : “Peter Halley,” Contemporanea, March, p. 89, London.

Adams, Brooks : “Peter Halley at Sonnabend”, Art in America, vol. 78, n° 3, pp. 195-196, New York.

Smith, Roberta : “Grouping of Abstracts For Serious Looking”, The New York Times, December 7, p. C24, New York.

Faust, Gretchen : review, Arts Magazine, May, vol. 64, n° 9, pp.112-113, New York.

Metzger, Rainer : “Peter Halley, Julian Opie, Giulio Paladino”, Flash Art, October, vol. 23, n° 54, pp. 162-163, Milan.

Cottingham, Laura : “Reviews : The Last Decade - Eighties Artists”, Contemporanea, December, pp. 88-89, London.

1989 Graw, Isabelle : “Spotlight : The American Bi-National,” Flash Art, January/February, n° 44, pp. 108-109, Milan.

Slesin, Suzanne : “Where Contemporary Art is the Décor”, The New York Times, February 2, pp. C1, C6, New York.

Trimarco, Angelo : “Dipartimenti di Vita”, Il Matino, 4 mars, Naples.

Bakargiev Christov, Carolyn, “In Cella con Dioniso”, 24 Ore, March 28, Naples.

Miller, John : “Peter Halley’s Geometry and the Social”, Artscribe, March/April, n° 74, p. 64, London.

Baker, Kenneth : “Review : Carnegie International, Carnegie Museum of Art”, Artforum, March, vol. 27, n° 7, pp.138-139, New York.

Caley, Shaun : “ Peter Halley : Jablonka, Cologne”, Flash Art, March/April, n° 145, p. 118, Milan.

Bochynek, Martin : “Das Abstrakte Gefangnis”, Marabo, n° 6, p. 80, Dusseldorf.

“Kalte Bilder von Halley”, Rheinische Post, April 29, Dusseldorf.

Vaupel, Michael : “Gefangene des Raumes”, Westdeutsche Zeitung, May, n° 102, Dusseldorf.

Ingenpahs, Heinz J. : “Die Schrille Leere von Mauern”, Westdeutsche Zeitung, May 12, Dusseldorf.

Kimmelman, Michael : “Touring Show of Soviet and American Artists”, The New York Times, May 16, pp. C15, C20, New York.

Leigh, Christian : “The Silent Baroque”, Balcon, n° 5-6, pp. 56-65, Madrid.

“Silencio e Significato, una Conversazione tra Peter Halley e Demetrio Paparoni”, Tema Celeste, October-December, pp. 51-53, Milan.

Collins, Tricia, and Richard Milazzo : “Radical Consumption and the New Poverty : A Discourse on Irony and Superfluity”, New Observations, October, n° 51, New York.

Smith, Roberta : “Minimalism’s Slow Fire”, The New York Times, December 10, New York.

Januszczak, Walsemar : Hanatsubaki, n° 474, December, p. 40, Japan.

“’Flatland’ A Project for Tema Celeste”, Tema Celeste, January/March, n° 19, p. 32, Milan.

1988

Russell, John, “At the Saatchi Collection, A Thin Show of NY Art”, The New York Times, Sunday, January 3, pp. H27-28, New York.

Kuspit, Donald : “Reviews”, Artforum, janvier, vol. 26, n° 9., pp. 112-113, New York.

Max Faust, Wolfang : “Now New, York New”, interview avec Dan Cameron, Wolkenkratzer, January/February, pp. 20-25, Frankfurt.

Bonita Oliva, Achille : “Neo-America”, Flash Art, January/February, n° 138, pp. 62-66, Milan.

Artner, Alan G. : “Halley Uses Critiques on Culture to Shore Up Feeble Work”, Chicago Tribune, April 22, section 7, p. 63, Chicago.

Gilbert-Rolfe, Jeremy : “Nonrepresentation in 1988 : Meaning Production Beyond the Scope of the Pious”, Arts, May, vol. 62, n° 9, pp. 124-125, New York.

Taylor, Paul : “Spotlight : Cultural Geometry”, Flash Art, May, n° 140, pp. 124-125, Milan.

McEvilley, Thomas : “Marginilia”, Artforum, May, vol. 26, n° 9, pp. 11-12, New York.

Osterow, Paul : “The Round Table Project”, Bomb, Spring, p. 42, New York.

Jones, Ronald : “Hover Culture,” Artscribe, Summer, n° 70, p. 50, London.

Jones, Ronald : review, Artscribe, Summer, n° 70, p. 85, London.

Segard, Michel : “Peter Halley”, New Art Examiner, Segard, p. 43, Chicago.

Plagens, Peter : “The Emperor’s New Cherokee Limited 4x4”, Art in America, June, vol. 6, n° 4, pp. 23-24, New York.

Graw, Isabelle : “Carnegie International”, Galeries Magazine, December/January, n° 28, pp. 76-78, Paris.

Kazanjian, Dodie : “Collins & Milazzo, Talent Scouts”, House & Garden, December, p. 74, New York.

1987

Cameron, Dan : “New American Art”, Art & Design, vol. 3, pp. 33-43, London.

Smolik, Noemi : “Whoever Sets Up Urinals Shouldn’t Wonder When They’re Pissed Into”, Volkenkratzer, January/February, p. 86, Germany.

Ronnen, Meir : “What You See Is What You Get”, The Jerusalem Post, January 30, Jerusalem.

Ratcliff, Carter : “I Like the Free World”, Artforum, February, vol. 25, n° 6, New York.

Muchnic, Suzanne : review, The Los Angeles Times, March 20, section IV, Los Angeles.

Richardson, Elizabeth : “Shaping a Firm Minimalism”, Artweek, March 21, vol. 18, n° 11, p. 4.

Madoff, Steven Henry : “Purgatory’s Way”, Arts Magazine, March, vol. 61, n° 7, pp. 16-19, New York.

Gold, Sylviane : “Whitney’s Biennial : A Modern Mishmash”, USA Today, April 14, Arlington.

Zaunschirmer, Thomas and Alexander Puhringer : “Neo Konzeptionalismus Szene New York”, Noemia Art Magazine, April/May, n° 11, pp. 18-38, Salzburg.

Raynor, Vivien : “In Ridgefield, Connecticut, a Post-Abstract Show”, The New York Times, June 26, p. C26, New York.

Glueck, Grace : “What Do You Call Arts Newest Trend : Neo-Geo ...Maybe”, The New York Times, July 6, New York.

Smith, Roberta : “Generations of Geometry, an Abstract Show”, The New York Times, July 17, p. C32, New York.

Casadio, Mariuccia : “Bickerton, Halley, Koons e Vaisman : Le Premesse Teoriche Dell Oggetto Americano”, Vanity, July/August, pp. 118-123, Milan.

Zimmer, William : “Visiting Art Museums and Galleries in Three States”,The New York Times, August 14, pp. C1, C26, New York.

Felhau, Fred : “Spotlight : Donald Judd and Peter Halley”, Flash Art, Summer, n° 135, p. 93, Milan.

Pincus-Witten, Robert : “Entries : Electro-Static Cling or the Massacre of Innocence”, Artscribe International, Summer, n° 64, pp. 36-41, London.

Lovelace, Carey : “The Whitney Gets It Right, Almost”, New Art Examiner, Summer, vol. 14, n° 11, pp. 24-26, Chicago.

Taylor, Paul : “My Art Belongs to Dada”, Observer, September 6, pp. 16-17, London.

Graham-Dixon, Andrew : “Neo-Geo”, Vogue, edition anglaise, septembre, vol. 144, n° 9, pp. 36-41, London.

Smith, Roberta : review, The New York Times, October 30, p. C34, New York.

Stevens, Mark : “Neo-Geo: Art’s Computer Hum”, Newsweek, November, vol. 110, n° 16, p. 119, New York.

Wulffen, Thomas : “Tuzina, Halley, Chamberlain, Kiecol”, Artscribe International, November-December, pp. 79-80, London.

Cameron, Dan : “In the Path of Peter Halley”, Arts Magazine, December, vol. 62, n° 4, pp. 70-73, New York.

Shinoda, Tatsumi, “Peter Halley”, Bijustu-Techo, December, vol. 39, pp. 38-41, Tokyo.

Wei, Lilly : “Talking Abstract II”, Art in America, December, pp. 120-121,171, New York.

1986

Collins, Tricia and Richard Milazzo : “Spiritual in America”, CEPA Quaterly, Spring, vol. 1, n° 3, pp. 4-8, Buffalo.

Decter, Joshua : “Peter Halley”, Arts Magazine, Summer, vol. 60, n° 10, p. 110, New York.

Cotter, Holland : “Peter Halley/International with Monument”, Flash Art, Summer, n° 163, p. 68, Milan.

Relyea, Lane : “Hot Commodities”, L.A. Weekly, August 15-21, vol. 8, n° 38, p. 21, Los Angeles.

Westfall, Stephen : “The Synthetic Sublime”, L.A. Weekly, August 15-21, vol. 8, n° 38, p. 20, Los Angeles.

Heartney, Eleanor : “Neo-Geo Storms New York”, New Art Examiner, September, vol. 14, n° 1, pp. 26-29, Chicago.

Jones, Alan : “Paravision : An Interview with Tricia Collins and Richard Milazzo”, Galeries Magazine, August/September,      n° 14, pp. 40-47, 93-94, Paris.

Smith, Roberta : “Art : 4 young East Villagers at Sonnabend Gallery”, The New York Times, October 28, p. C30, New York.

Wallach, Amei : “The New Art Is Soho Cool,” Newsday, October 26, section II, pp. 3,17, New York.

Larson, Kay : “Masters of Hype”, New York Magazine, November 10, vol. 19, n° 25, pp. 65-66, New York.

Madoff, Steven Henry : “Vestiges and Ruins : Ethics and Geometric Art in the Twentieth Century”, Arts Magazine, December, vol. 61, n° 4, pp. 32-40, New York.

Cameron, Dan : “Transparencies,” Art Crticism, vol. 3, n° 1, pp. 1-10, New York.

Taylor, Paul : “Cumulus from America : The Return of (Conceptual) Art”, Parkett, n° 9, Zurich.

Kuspit, Donald : “Young Necrophiliacs, Old Narcissists : Art About the Death of Art”, Artscribe International, April/May, n° 57, pp. 27-31, London.

Ottman, Klaus : “Supermannerism”, Flash Art, April/May, n° 127, pp. 59-61, Milan.

Collins, Tricia and Richard Milazzo,”Tropical Codes” Kunstforum, International, March/April/May, n° 308-337, Cologne.

Zaya, Octavio : “Se Acbo el Neo-Expressionismo o la Vuelta de la Abstraccion”, Hartismo, January/February/March, n° 10.

Siegel, Jeanne : “Geometry Desurfacing”, Arts Magazine, March, vol. 60, n° 7, p. 26, NewYork.

Jones, Ronald : “Six Artists at the End of the Line : Gretchen Bender, Ashley Bickerton, Peter Halley, Louise Lawler, Allan McCollum, and Peter Nagy”, Arts Magazine, May, vol. 60, n° 9, p. 49, New York.

Russell, John : “Bright Young Talents : Six Artists with a Future”, The New York Times, May 18, pp. H1, H31, New York.

Foster, Hal : “Signs Taken for Wonders”, Art in America, June, vol. 74, n° 6, pp. 81-91, 139, New York.

McGill, Douglas : ”The Lower East Side’s New Artists”, The New York Times, June 3, p. C13, New York.

Mnuchin, Susan : “Commodity-Culture Art Rides Again”, The Los Angeles Times, July 26, part V, p. 9, Los Angeles.

Tomkins, Calvin : “Between Neo- and Post-”, The New Yorker, November 24, pp. 104-113, New York.