Martin Maloney
Biography
Studies
1991-93
Goldsmiths College, University of London, UK.
1991
Nova Scotia College of Art and Design, Halifax, Nova Scotia, USA.
1990
School of Visual Arts, New York, USA.
1988-91
Central St. Martin's School of Art and Design, London, UK.
1984
London College of Printing, UK.
1980-83
University of Sussex, UK.
One Person Exhibitions
2008
Martin Maloney, Actress Slash Model, Timothy Taylor Gallery, London, Great-Britain.
2007
Up Close and Personnal - Portraits by Martin Maloney, Gary Tatintsian gallery, Moscow, Russia.
2006
Martin Maloney, Xippas gallery, Athens, Greece
2005
Martin Maloney, Timothy Taylor Gallery, London, UK.
Martin Maloney, Galerie Xippas, Paris. France.
2004
Martin Maloney, Xavier Hufkens, Brussels, Belgium.
2003
Ritratti, Gian Ferrari Arte Contemporanea, Milan, Italy.
2000
Martin Maloney, Anthony d'Offay Gallery, London, UK.
1998
Conversation Pieces, Claudia Gian Ferrari Arte Contemporaneo, Milan, Italy.
Domestic Arrangments, Johnen & Schottle, Cologne, Germany.
1997
Genre Paintings, Robert Prime, London, UK.
1996
Portraits, Habitat Kings Road, London, UK.
1991
Sex Shop, 00 Gallery, Halifax, Nova Scotia, Canada.
Group Exhibitions
2007
Martin Maloney, Robert Mapplethorpe, Jack Pierson, Xavier Hufkens gallery, Brussels, Belgium.
Martin Maloney, From Park Drive to Riverside Walk, (with Dean), Baldwin Gallery, Aspen, USA.
2004
Neue Kunsthalle 1V: Direct Painting, Kunsthalle Mannheim, Mannheim, Germany.
2002
The Rowan Collection: Contemporary British and Irish Art, The Irish Museum of Modern Art, Dublin, Ireland.
Curated Oh Bondage Up Yours, Harvard University, Cambridge USA.
John Moores Painting Prize,Walker Art Gallery, Liverpool, UK.
Shine, St.Pancras Chambers, London, UK.
2001
Curated Death to the Fascist Insect that Preys on the Life of the People, Anthony d'Offay Gallery, London, UK.
New Labour, Saatchi Gallery, London, UK.
Family Fortunes, National Gallery, London, UK.
Fall Visiting Faculty, Carpenter Center, Harvard University, Cambridge, USA.
Curated Bound and Gagged, Carpenter Centre, Harvard University, Cambridge, USA.
2000
Hard Candy, Westbourne Gardens, London & Galerie Wieland, Berlin, Germany.
Sommer Contemporary Art, Tel Aviv, Israel.
Outhouse, Rich and Famous Gallery, London, UK.
Salon, Delfina, London, UK.
Different Perspectives in Painting, Museo Michetti, Francaville al Mare, Italy.
Lo Sguardo Innocente L'Arte L'infanzia, il 1900, Palazzo Martinengo, Brescia, Italy.
Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece.
1999
Neurotic Realism, Saatchi Gallery, London, UK.
Heart and Soul, 60 Long Lane, London, UK.
1998
Fuoriuso, Pescara, Italy.
Die Young Stay Pretty, ICA, London, UK.
Facts and Fiction, ARCO, Turin, Italy.
1997
Sensation, Young British Artists from the Saatchi Collection, Royal Academy of Arts, London, UK, Hamburger Bahnhof, Berlin, Germany, Brooklyn Museum of Art, New York, USA.
Gonzo, Old Police Station, London, UK.
1996/7
Robert Prime, London, UK.
1996
Die Yuppie Scum, Karsten Schubert, London, UK.
1995
Neo-Naive, Lost in Space, London, UK.
Guess who's Coming to Dinner, Lost in Space, London, UK.
Multiple Orgasm, Lost in Space, London, UK.
White Trash, Lost in Space, London, UK.
Gothic, Lost in Space, London, UK.
Articles and Reviews
2006
Foivos Sakalis, "Martin Maloney : nouveau réalisme névrotique de la Grande- Bretagne", Gynaika, April, pp. 120-127
Despoina Zefkili, "Il est difficile d'être le next big thing", Athinorama, March 16-23, pp. 90-91
2005
Martin Herbert, "Martin Maloney", Time Out, June 15-22
2001
Annabel Freyber, « Saatchi's favourite 'bad' boy », in Evening Standard, 1 May.
Tim Kent, « The Artists' Champion », in Art Review, april, pp. 33-35.
« Artists on art », in The Daily Telegraph, 10 March.
2000
Emma Biggs, « Come on Down, colour », in Modern Painters, Winter, pp. 51-53.
Oliver Bennet, « Saatchi : the next generation », in The Times Magazine, 11 november
« Martin Maloney », in Intervista, page 6.
Martin Gayford, « Teen Dreams for Grown-ups », in Modern Painters, spring, pp. 46-48.
Rachel Campbell-Johnston, « Nineties nervous breakout », in The Times, 8 March.
« Martin Maloney/Anthony d'Offay », in What's on in London, 23 February.
« Martin Maloney », in Independent on Sunday, 6 February.
« Martin Maloney at Anthony d'Offay, London », in Londonart.co.uk magazine, February
Nina Caplan, « Martin Maloney », in Metro, 27 January.
1999
Tom Lubbock, « The trouble with Saatchi », in The Independent, 19 January.
Ralph Rugoff, « Has Saatchi lost his touch ? », in Financial Times, January 16-17, page VII.
Adrian Searle, « New Kids in the dock », in The Guardian, January 16.
Martin Gayford, « A disconcerting world », in Harpers & Queen, January.
1998
Jonathan Jones, « Damien Hirst didn't make this… », in The Guardian, 12 December
Louisa Buck , « Martin Maloney », in The Art Newspaper, December.
Matthew Collings, « Martin's rhetoric », in Modern Painters, December.
Charles Darwent, « BritArt's next big thing », in The Independant on Sunday, 8 November.
1997
Mark Currah, « Martin Maloney », in Time Out, May 21-28, page 45.
1996
John Windsor, Baddies with Brushes, in Independent on Sunday, 20 October, page 86.
« Martin Maloney on the Turner Prize, in Artforum, January.
1995
John Windsor, « Standing out from the crowd », in Independent on Sunday, 20 August.
Sarah Kent, « Multiple orgasm », in Time Out, August 9-16.
Tim Cooper, « Home is where the art is for nurturing new talent », in Evening Standard, Tuesday 30th May.
Adrian Searle, « Odds and Sods », in The Independent, 19 May
Catalogues
'Die Yuppie Scum', Karsten Schubert, London, UK
'Conversation Pieces', Claudia Gian Ferrari Arte Contemporaneo, Milan, Italy
'Sensation, Young British Artists from the Saatchi Collection', Royal Academy of Arts, London, UK
'Die Young Stay Pretty', ICA, London, UK
'Facts and Fiction', ARCO, Turin, Italy
'Neurotic Realism', Saatchi Gallery, London, UK
'Different Perspectives in Paintings', Museo Michetti, Francaville al Mare, Italy
'Lo Sguardo Innocente L'Arte L'infanzia, il 1900', Palazzo Martinengo, Brescia, Italy
'Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection', The Hydra Workshop, Hydra, Greece
'Death to the Fascist Insect that Preys on the Life of the People', Anthony d'Offay Gallery, London, UK
'New Labour', Saatchi Gallery, London, UK
'Family Fortunes', National Gallery, London, UK
'Oh Bondage Up Yours', Harvard University, Cambridge, USA
'John Moores Painting Prize', Walker Art Gallery, Liverpool, UK
'The Rowan Collection: Contemporary British and Irish Art', Irish Museum of Modern Art, Dublin, Ireland