David REED
Biography
Born 1946, San Diego, California, USA.
Lives and works in New York, USA.
www.davidreedstudio.com
Education
1968
Bachelor of Arts degree, Reed College, Portland, Oregon, USA.
1967
New York Studio School, New York, USA.
1966
Skowhegan School of Painting and Sculpture, Skowhegan, Maine, USA.
Awards and Fellowships
1991
National Endowment for the Arts, Visual Arts Fellowship.
1988
John Simon Guggenheim Memorial Foundation, Fellowship.
1969
Roswell Museum and Art Center, Grant.
1966
Rockefeller Foundation, Fellowship.
One Person Exhibitions (Sélection)
2010
David Reed Works on Paper, Peter Blum Soho, New York, USA.
2009
David Reed Recent Paintings, Häusler Contemporary, Munich, Germany.
2008
Galerie Thomas Flor, Dusseldorf, Germany.
2006
Galerie Schmidt Mackzollek, Köln, Germany
2005
David Reed, Gallery Bob Van Orsow, Zurich, Switzerland.
David Reed. Leave Yourself Behind. Paintings and Special Projects 1967-2005, Wichita, Kansas, Ulrich Museum of Art
2004
Galerie Xippas, Paris, France.
Max Protetch Gallery, New York.
2003
Galerie Rolf Ricke, Koln, Germany.
2002
Max Protetch Gallery, New York, USA.
Patricia Faure Gallery, Los Angeles, California, USA.
2001
You Look Good in Blue *, Kunstmuseum St. Gallens, Switzerland; Kunstverein Hanovre, Germany.
2000
Galerie Rolf Ricke, Koln, Germany.
Galerie Bob Van Orsouw, Zurich, Switzerland.
1999
Galerie Xippas, Paris, France*.
David Reed - Painting/Vampire Study Center: Is Looking at an Abstract Painting Similar to a Vampire's not Reflecting in a Mirror ? *, Goldie Paley Gallery, Moore College of Art and Design, Philadelphia ; Corollary Research Station, Rosenbach Museum & Library, Philadelphia, Pennsylvania, USA.
Max Protech Gallery, New York, USA.
David Reed: Paintings, Motion Pictures, Brandeis University, Rose Art Museum, Boston, Massachusetts, USA.
1998
David Reed Paintings: Motion Pictures, Museum of Contemporary Art, San Diego, La Jolla, California ; Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA.*
Max Protetch Gallery, New York, USA.
Vampire Archive/Research Project, Art Resources Transfer, Inc., New York, USA.
1997
Galerie Rolf Ricke, Koln, Germany.
Galerie Bob Van Orsouw, Zurich, Switzerland.
Patricia Faure Gallery, Los Angeles, California, USA.
1996
Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, USA.
1995
Max Protetch Gallery, New York, USA.
1993
Galerie Rolf Ricke, Koln, Germany.
1992
Max Protetch Gallery, New York, USA.
Walter / McBean Gallery *, San Francisco Art Institute, San Francisco, California, USA.
1991
Galerie Rolf Ricke, Koln, Germany.
Max Protetch Gallery, New York, USA.
1989
Max Protetch Gallery, New York, USA.
1988
Asher / Faure Gallery, Los Angeles, California, USA.
Max Protetch Gallery, New York, USA.
* catalogue
Group Exhibitions (Selection)
2010-11
Highlights of the Schaufler Collection, Schauwerk Sindelfingen Sindelfingen, Germany, June 13 - January 21
2010
Mapping the Region, Museum Folkwang Essen, Germany, January 1 - December 21
Babel, Fonds Régional d'Art Contemporain Auvergne, Clermond Ferrand, France, May 29 - August 29
Until Now: Collecting the New (1960-2010), Minneapolis Institute of Art , Minneapolis, Minnesota, USA, April 16 - August 1
ArtBasel, Peter Blum gallery, Basel, Switzerland.
Move on up, Galerie Schmidt Maczollek, Kholn, Germany.
2008
High Times, Hard Times : New York Painting 1967-1975, ZKM Museum of Contemporary Art, Karlsruhe, Germany.
There is Desire Left (Knock, Knock). 40 years of Fine Arts from the Mondstudio Collection, Kunstmuseum Bern, Bern, Germany.
Abstract, Museum Moderner Kunst Karnten, Klagenfurt, Austria.
Rochelle Feinstein & David Reed, The Suburban at the Ulrich Museum, Wichita, USA.
2007
Lust for life. Die Sammlung Ricke, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein.
Brave Lonesome Cowboy, Kunstmuseum St. Gallen, St. Gallen, Switzerland.
Das Kapital erster Teil - Bluechips & Masterpieces, Museum fur Modern Kunst, Frankfurt, Germany.
Not for Sale, P.S.1 Contemporary Art Center, Long Island, USA.
2006
Strip - Bilder in Folge / Strip - Images in Line, Galerie Anita Beckers, Frankfurt, Germany.
Transformation; Aus eigener Sammlung, Kunstmuseum Lietchtenstein, Vaduz, Lietchtenstein.
When Artists Say We, Artists Space, New York, USA.
Minimal Illusions - Arbeiten mit der Saammling Rik Reinking, Villa Merkel & Bahnwaterhaus, Essen, Germany.
POPulence, Southeastern Center for Contemporary Art, Winston-Salem, USA.
2005
Vertiges, Printemps de Septembre, Toulouse, France.
2004-05
Le syndrome de Babylone. FRAC Auvergne, Villa du Parc, Annemasse, France.
2004
Manon Slome, Surface Tension, Chelsea Art Museum, New York, USA.
Martin Hentschel, The Void and the Plentitude, Museum Haus Esters, Krefeld, Germany.
In the Spotlight. Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA.
Konrad Bitterli, Me Myself I. Konstruktionen von Raum und Identität in der Kunst der Gegenwart, Kunstmuseum St.Gallen, Switzerland.
Painting Now: Selections from the Permanent Collection, Museum of Contemporary Art, San Diego, California.
Still mapping the moon. Perspektiven zeitgenössischer Malerei / Perspectives on Contemporary Painting, Kunstmuseum Bonn.*
2003
John Baldesarri, Meg Cranston, 100 Artists See God,Independent Curator's International, New York, USA.
Greetings from New York. A Painting Show, Galerie Thaddaeus Ropac, Salzbourg, Austria.
Georges Armaos, Postimpact, Athens, Greece, Collection Portalakis.
ON - Inaugural Group Show, Xippas Gallery, Athens, Greece.
Jessica Stockholder, Table Top Sculpture, Gorney Bravin + Lee, New York, New York, USA.
Günter Umberg, Perpetuum Mobile, 40 Jahre Galerie Rolf Ricke, Koln, Germany.
Greg Lynn, Intricacy, ICA Philadelphia, Yale University, USA.
New Abstract Painting - Painting Abstract Now: Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, Germany.
Schokolade, was denn sonst: Sammlung Rolf Ricke, Kunstraum Innsbruck, Austria.
We Love Painting: The Contemporary American Art from Misumi Collection *, Museum of Contemporary Art, Tokyo, Japan.
2002
Das Museum, die Sammlung, der Direktor und seine Liebschaften, MMK, Frankfurt am Main, Germany.
Jeffrey Kipnis et Annetta Massie, Mood River, Wexner Center for the Arts, Columbus, Ohio, USA.*
Einfach Kunst : Sammlung Rolf Ricke, Staatliches Museum für Kunst und Design in Nürnberg, Nuremberg, Germany. *
Another World: Zwölf Bettgeschicten / Twelve Bedroom Stories, Kunstmuseum Luzern, Switzerland.*
Raum für Malerei/The Painting Room, Kaiser Wilhelm Museum, Krefeld, Germany. *
Annette DiMeo Carlozzi, Time Frame, Jack S. Blanton Museum of Art, The University of Texas, Austin, USA.
2001
Simon Wallis, Abstraction & Hybridity, International Contemporary Painting, Tate Liverpool, Grande-Bretagne.*
Alex Farquharson,The Magic Hour: Die Konvergenz von Kunst und Las Vegas, Neue Galerie Im Künstlerhaus, Graz, Austria.*
Lateral Thinking: Art of the 1990's, Museum of Contemporary Art, San Diego, California, USA.
Aruna d'Souza, Lucas Schoormans, Cinema Studies. New York, USA.
Gerald Matt, Vertigo, Ursula Bickle Stiftung, Kraichtal, Germany.*
Markus Brüderlin, Ornament and Abstraction, Fondation Beyeler, Bâle, Switzerland.*
Roland Nasgaard, Pleasures of Sight and States of Being, Museum of Fine Arts, Florida State University, Tallahassee, Floride, USA.*
2000
Body of Painting - Günther Umberg: Mit Bildern aus Kölner Sammlungen, Museum Ludwig, Koln, Germany.*
Heinz Liesbrock & Thomas Weski,How You Look at It: Photographs in the 20th Century, Sprengel Musuem, Hanovre, Germany.*
Eva Knutz & David Reed: Conversation Exhibition, Art Resources Transfer, New York, USA.
Sibylle Omlin et Beat Wimmer, Das Gedächtnis der Malerei, Aargauer Kunsthaus, Aarau, Switzerland.*
Philip Brookman, Media/Metaphor: The 46th Biennial Exhibition, Corcoran Museum of Art, Washington D.C., USA.
Passé Composé/Futur Antérieur, Musée d'Art Roger-Quillot et Fonds Régional d'Art Contemporain d'Auvergne, Clermont-Ferrand, France.
Robert Saltonstall Mattison, Six Abstract Artists at the Millennium: Richard Anuskiewicz, Thom Cooney Crawford, Lydia Dona, Fabian Marcaccio, David Reed, Dorothea Rockburne, Dorsky Gallery, New York, USA.
Andrea Busto, Super-Abstr-Action, Galerie des Filles du Calvaire, Paris, France.
1999
Kerry Brougher, Michael Tarantino et Astrid Bowron, Notorious: Alfred Hitchcock and Contemporary Art, Museum of Modern Art, Oxford, Grande-Bretagne.*
Aux dernières nouvelles…, Fonds Régional d'Art Contemporain d'Auvergne, Ecuries de Chazerat, Clermont-Ferrand, France.
Dirk Luckow et Jan Winckelmann, Moving Images. Reflexionen in der Kunst *, Galerie für zeitgenössische Kunst Leipzig/Siemens Kulturprogramm, Leipzig, Germany.
Andrea Busto, Super-Abstr-Action, Galerie The Box, Turin, Italy.*
Brian Stechschulte et Mike Underwood, Looking at Paintings / Looking for Painters: Gesture and Contemporary Painting, University of Michigan, Ann Arbor, USA.*
Abstrakt: Eine Definition Abstrakter Kunst an der Schwelle des Neuen Milleniums, Max-Gandolph-Bibliothek, Universität Salzburg, Austria.*
Rolf Ricke, Special Offer, Kassler Kunstverein, Kassel, Germany.*
Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, Missouri, USA.
1998
Nikolaus Ruzicska, The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzbourg, Austria.
Petra Giloy-Hirtz et Peter B. Steiner, Geistes Gegenwart , Diözesanmuseum, Freising et Heilig-Geist-Kirche, Landshut, Germany.*
Sid Sachs, Pop Abstraction, Museum of American Art of the Pennsylvania, Academy of the Fine Arts, Philadelphie, Pennsylvania, USA.
I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green, Women's 20th Century Club, Eagle Rock, Pennsylvania, USA.
Stephanie Theodore, Utz : A Collected Exhibition, Lennon Weinberg, Inc., New York, USA.
Michael Darling, Sick of Photography: A Painting Show, College of Creative Studies Gallery, University of California, Santa Barbara, USA.
Die Neue Sammlung (1), Palais Liechtenstein, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.
Interior Landscapes: An Exhibition from the Collection of Clifford Diver, Delaware Art Museum, Wilmington, Delaware, USA.*
Ruth Kaufmann, From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York, USA.
1997
Paul Nesbitt et David Moos, Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburgh, Grande-Bretagne, Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas, USA.*
Primarily Paint, San Diego Museum of Contemporary Art, La Jolla, California, USA.
Pintura, Galeria Joan Prats, Barcelone, Galeria Marta Cervera, Madrid, Espagne.
Lilly Wei, After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York, USA.*
Michael Walls, Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, USA.
Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, Pays-Bas.
Günter Umberg, Wetterleuchten, Galerie Evelyne Canus, La Colle-sur-Loup, France.
Mark Rosenthal, Critiques Of Pure Abstraction, Independent Curators, Inc., New York, USA.*
Stepping Up, Andrew Mummery, Londres, Grande-Bretagne.
Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser/Nanako Umemoto, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria.
Some Lust, Patricia Faure Gallery, Santa Monica, California, USA.
Installations/Projects, Institute for Art and Urban Resources/P.S.1, Long Island City, New York, USA.
1996
16 Artists, Patricia Faure Gallery, Santa Monica, California, USA.
Extended Minimal, Max Protech Gallery, New York, USA.
Enrique Juncosa, Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Museu d'Art Contemporani, Barcelona, Kunsthalle Bielefeld.*
Abstract Practice, Galerie Thaddaeus Ropac, Salzbourg, Austria.
Form als Ziel mündet immer in Formalismus, Galerie Rolf Ricke, Koln, Germany.
Nina Felshin, Embededded Metaphor, Independent Curators, Inc., New York, USA.*
Martin Ball, Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, Missouri, USA.*
Lydia Dona and New York Abstraction, Macdonald Stewart Art Centre, Guelph, Ontario, Canada.
David Reed / Philip Akkerman, Baumgartner Galleries, Washington, USA.
1995
Peter Weibel, Pittura / Immedia: Malerei in der 90er Jahren / Painting In the 90's, Neue Galerie am Landesmuseum Joanneum, Graz, Austria.*
Martin Hentschel et Raimund Stecker, Das Abenteuer der Malerei / The Adventure of Painting, Württembergischer Kunstverein, Stuttgart, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany.*
Transatlantica, the America-Europa Non Representativa, Museo de Alejandro Otero, Caracas, Venezuela.*
Abstraction From Two Coasts, Lawing Gallery, Houston, Texas, USA.*
David Moos, Architecture of the Mind, Content in Contemporary Abstract Painting, Galerie Barbara Farber, Amsterdam, Pays-Bas.*
Mesótica: The América non-representativa, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica.*
Judith Tolnick, All About Edges: An Exhibition of Contemporary Abstract Painting, Main Gallery, Fine Arts Center Galleries, University of Rhode Island, Kingston, New York, USA.
Repicturing Abstraction: The Politics of Space, The Abducted Image, Basic Nature, From Impulse to Image, Virginia Museum of Fine Arts, Richmond, Virginie, USA.*
Temporarily Possessed: The Semi-Permanent Collection, The New Museum of Contemporary Art, New York, USA.
Lisa Corrin, Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and Rococco , The Contemporary and The Walters Collection, Baltimore, Maryland, USA.*
"Made In The U.S.A": Original Paintings on Paper, Bob van Orsouw Gallery, Zurich, Switzerland.
Margaret Miller, Re-Fab: Painting Abstracted, Fabricated, and Revised *, University of South Florida Contemporary Art Museum, Tampa, Floride, Wolfson Galleries, Miami Dade Community College, Floride, Robert Hull Fleming Museum, Burlington, Vermont USA.
Christine Gögger, Videothek, Galerie im Rathaus, Munich, Germany.
"Made in the USA": Original Paintings on Paper, Bob van Orsouw Gallery, Zurich, Switzerland.
1994
New Paintings, Max Protetch Gallery, New York, USA.
Drama, Max Protetch Gallery, New York, USA.
Colin Crumplin, Chance, Choice, and Irony, Todd Gallery, Londres, John Hansard Gallery, University Southhampton, Southhampton, Grande-Bretagne.*
Recent Painting, Asher/Faure Gallery, Los Angeles, California, USA.
Conditional Painting, Galerie Nächst St. Stephan, Vienna, Austria.
Joshua Decter, Don't Look Now, Thread Waxing Space, New York, USA.*
1993
Maia Damianovic, Fractured Seduction: New Conceptual Abstract Painting, Eight Artist from New York, Artifact Gallery, Tel Aviv, Israel.*
Demetrio Paparoni, Italia-America: L'astrazione ridefinita, Galleria Nazionale d'Arte Moderna, République de San Marin, Italy.*
Günter Umberg et Rolf Hengesbach, Supervision, Räume für neue Kunst, Wuppertal, Germany.
Hans-Ulrich Obrist, Hotel Carlton Palace, Chambre 763, Paris, France.*
Philip Pocock, Bodies of Work, Atelier Philip Pocock, Koln, Germany.
New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince,David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany.*
Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio, USA.
Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla.
Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany, Galerie Jousse-Seguin, Paris, France.
New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania, USA.
New Moderns, Baumgartner Galleries, Washington, USA.
Christian Haub, Silent Echoes, Tennisport Arts, Long Island City, New York, USA.
Peter WeierMayr, Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: International Exhibition of Contemporary Art, Frankfurter Kunstverein et Schirn Kunsthalle, Frankfurt am Main, Germany.*
Udo Kittelmann, Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany.
Christian Leigh, "I am the Enunciator", Thread Waxing Space, New York, USA.
1992
Terry R. Myers, Bedroom Pictures, Asher/Faure Gallery, Los Angeles, California, USA.*
Thomas Noskowski / David Reed, Baumgartner Galleries, Washington, USA.
Alanna Heiss,Slow Art: Painting in New York Now, Institute for Art and Urban Resources/ P.S.1, Long Island City, New York, USA.*
Abstrakte Malerie zwischen Analyse und Synthese / Abstract Painting between Analysis and Synthesis , Galerie Nächst St. Stephan, Vienna, Austria.*
Kinder! Macht Neues!, Galerie Rolf Ricke, Koln, Germany.*
1991
Demetrio Paparoni, La metafisica della Luce / The Metaphysics of Light *, John Good Gallery, New York, USA.
Conceptual Abstraction, Sidney Janis Gallery, New York, USA.*
David Pagel, The Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California, USA.
Joshua Decter, Hybrid Abstraction, Bennington College Art Gallery, Vermont, USA.
Saul Ostrow, Strategies for the Next Painting, Wolff Gallery, New York, Feigen Incorporated, Chicago, Illinois, USA.*
Molly Sullivan, Contemporary Abstract Painting: Resnick, Reed, Laufer, Moore, Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginie, USA.
1990
Collins & Milazzo, Token Gestures: A Painting Show, Scott Hanson Gallery, New York, USA.*
1989
1989 Biennial Exhibition, Whitney Museum of American Art, New York, USA.*
Jeremy Gilbert-Rolfe, Non-Representation: The Show of the Essay, Annie Plumb Gallery, New York, USA.
Saul Ostrow, Diagrams and Surrogates, Shea and Becker Gallery, New York, USA.*
Aus meiner Sicht: Eine Ausstellung von Rolf Ricke / Jubilee Exhibition of the Galerie Rolf Ricke *, Kölnischer Kunstverein, Koln, Germany.
Jonathan Seliger, Collapsing Light, Rubin Gallery, New York, USA.
Postmodern Painters, John Good Gallery, New York, USA.
Artists of the 80's: Selected Works from the Maslow Collection, Sordoni Art Gallery, Wilkes College, Wilkes-Barre, Pennsylvania, USA.*
1988
A New Generation, The 80s: American Painters and Sculptors, The Metropolitan Museum of Art, New York, USA.
Marjorie Welish, Louise Fishman, Joan Mitchell, David Reed, Barbara Toll Fine Arts Inc., New York, USA.
Phyllis Plous, Collaborations in Monotype, University Art Museum, University of California at Santa Barbara, California, USA.*
Lance Kinz, Formal, Dart Gallery, Chicago, Illinois, USA.
David Carrier, Seven American Abstract Artists, Ruggiero Henis Gallery, New York, USA.
1987
Dennis Kardon et Maria Reidelbach, Monsters: The Phenomena of Dispassion, Barbara Toll Fine Arts, Inc., New York, USA.
Jonathan Seliger, Interstices, Laurie Rubin Gallery, New York, USA.
David Humphrey, Meaning, Four Walls, Hoboken, New Jersey, USA.
Stephen Westfall, New Locations, Wolff Gallery, New York, USA.
Stephen Westfall, Romantic Science, One Penn Plaza, New York, USA.
Bill Arning, The Four Corners of Abstract Painting (From Sincerity to Sarcasm, from Formalism to Expressionsim), White Columns, New York, USA.
Victoria Brown et Christian Haub, Print / Film, Bess Cutler Gallery, New York, USA.
Abstract Painting, Asher/Faure Gallery, Los Angeles, California, USA.
Cheryl Epstein, M. Christine Hunnisett et Kimmo Sarje, Generations Of Geometry: Abstract Panting in America Since 1930, Whitney Museum of American Art at Equitable Center, New York, USA.
Ned Rifkin, 40th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, USA.*
1986
Elaine A King, Abstraction/Abstraction, Carnegie Mellon University Art Gallery, Pittsburgh, Pennsylvania, Klein Gallery, Chicago, Illinois, USA.*
Ruth Kaufmann, Geometry Now, Craig Cornelius Gallery, New York, USA.*
1985
Joseph Masheck, Smart Art: New Work from New York, Carpenter Center for Visual Arts, Harvard University, Cambridge, Massachusetts, USA.
Stephen Westfall,The Non-Objective World-1985: A Selection of Abstract Painting and Sculpture, Kamikaze, New York, USA.
Tiffany Bell, An Invitational, Condeso/Lawler, New York, USA.
Abstract / Issues, commissaire : Steven Henry Madoff, Sherry French Gallery, Tibor De Nagy and Oscarsson Hood, New York, USA.
The Art of the 1970's and 1980's, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA.
1984
24 x 24 x 24: An Invitational Exhibition, Ruth Siegel, New York, USA.
David Reed / Jackie Ferrara, Susan Montezinos Gallery, Philadelphie, Pennsylvania, USA.
Michael Walls, Invitational Painting Exhibition: Part 1, Twelve Abstract Painters, Siegel Contemporary Art, New York, USA.
Per Jensen, Abstract Painting, Susan Montezinos Gallery, Philadelphie, Pennsylvania, USA.
Current 6: New Abstractions, Milwaukee Art Museum, Milwaukee, Wisconsin, USA.
Tom Hudspeth et Ron Janowich, Small Works: New Abstract Painting, Williams Center for the Arts, Lafayette College, Easton et Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, USA.*
1983
Lynn Gumpert, Ned Rifkin et Marcia Tucker, Language, Drama, Source, and Vision, The New Museum of Contemporary Art, New York, USA.*
Tom Hudspeth, Contemporary Abstract Painting, Muhlenberg College Center for the Arts, Allentown, Pennsylvania, USA.*
Nocturne, Siegel Contemporary Art, New York, USA.
Three Painters: Sean Scully, David Reed, Ted Stamm, Zenith Gallery, Pittsburgh, Pennsylvania, USA.
Public Collections
Albright-Knox Art Gallery, Buffalo, New York, USA.
Birmingham Museum of Art, Birmingham, Alabama, USA
The Jack S. Blanton Museum of Art, University of Texas at Austin, USA
Centre National d'Art et de Culture Georges Pompidou, Paris, France
Chase Manhattan Bank, New York, USA
Cincinnati Art Museum, Ohio, USA
Corcoran Gallery of Art, Washington, D.C., USA
Daros Collection, Zurich, Switzerland
Diözesanmuseum, Freising, Germany
Fonds National d'Art Contemporain, Paris, France
Fonds Régional d'Art Contemporain Auvergne, France
General Mills, Minneapolis, Minnesota, USA
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA
Kaiser Wilhelm Museum, Krefeld, Germany
Kunstmuseum St. Gallen, St. Gallen, Switzerland
Louisiana Museum of Modern Art, Humlebaek, Danemark
The Maslow Collection, Shavertown, Pennsylvania, USA
Museum für Moderne Kunst, Frankfurt am Main, Germany
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Museum of Contemporary Art, San Diego, USA
The Metropolitan Museum of Art, New York, USA
Neues Museum, Nürnberg, Germany
Reed College, Portland, Oregon, USA
Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA
Roswell Museum and Art Center, New Mexico, USA
Sammlung Goetz, Munich, Germany
Tel Aviv Museum, Israel
Ulrich Museum, Wichita State University, Kansas, USA
Virginia Museum of Fine Arts, Richmond, USA
Weatherspoon Art Gallery, University of North Carolina at Greensboro, USA